I’ve been putting some final glazes on these flowers and foliage and really enjoying it. Some manners of painting don’t use glazes at all, going after that modern matte flatness, the truth of paint on a surface. In this type of painting I want the illusion of depth. I want the viewer to look right through the picture plane, with forward parts almost popping in front of the painting itself. It’s a dimensional composition leading your eye in, around and back out again. And when you are up close there is no doubt it’s just paint on a board. We always have to simplify, leaving out as apposed to leaving in. I’m leaving a lot in at this point, it’s consciously full. Now I want it even brighter… maybe the next one.
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