These paintings bring up deep memories of past landscapes. Perhaps my ancestors walked through here. When I get that feeling from the painting I know I’m done…. time to stop or I’ll loose it. You can see here the smaller color sketch I’m working from to make the larger painting. There is no point spending the time on a full size painting if it doesn’t work small. This one is part of my show at the Clymer Gallery in Ellensburg through May 2023.
We’ve been socked in with winter fog for days. This morning the glorious sun hit the hills outside our kitchen window. I’m trying to narrow down my view in a few small watercolors trying to catch one fleeting effect. An enjoyable hour with morning coffee at the kitchen table.
When I’m a bit lost I remind myself to get back to the basics. Composition is the foundation for all that sits on top of it. Value is where form is described and color is like the flavors that make up a good meal. Out of many tiny thumbnails a few will stand out and call for more exploration and refinement. It’s design at this stage, pushing the shapes around and easy to adjust anything at a small size, no more than a few inches. Then after many small idea sketches a few will stand out and hopefully one will be interesting enough to take into a painting. This is just one process of many, but a good one to remember.
Thumbnail notes to myselfColor -Value study 3.5 inches
In my little watercolor notebook I start working this out. I want the brightest glow from the sky to just hit a bit on the right wall and around the figure. Perhaps the left wall is still too light. And I have to do a couple real vanishing points so the walls read correctly. And then the water reflection shapes need to be worked out as I don’t have a real photo of this, just a snap from a TV image.
After being completely focused on the straw bale building project for eight months, I’m feeling a bit burned out. So my watercolors and notebooks showed up and I started to play with some little landscapes again. It feels good to put the brush in the paint. The curves and shadows of nature are endlessly inspiring.
Tree Shadows – 10 x 9 watercolor 2020 Sam Albright – morning sun from out in the east pasture.
I finally figured out that the most interesting morning shadows are off to the east from our house. This is looking from the north section of our east hay pasture. We planted these poplars …. hmm, a few years ago.
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